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	<title>ZATH Audio &#187; ambient</title>
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		<title>Starbuild-tape</title>
		<link>http://www.zath.org/2009/07/17/starbuild-tape/</link>
		<comments>http://www.zath.org/2009/07/17/starbuild-tape/#comments</comments>
		<pubDate>Sat, 18 Jul 2009 05:29:10 +0000</pubDate>
		<dc:creator>zath</dc:creator>
				<category><![CDATA[Music by zath]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[hyperupic]]></category>
		<category><![CDATA[sampled]]></category>
		<category><![CDATA[school]]></category>
		<category><![CDATA[soundhack]]></category>
		<category><![CDATA[tape]]></category>

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		<description><![CDATA[At the end of last term I was hard pressed to finish writing a 4-movment sonata for cello and laptop.  Long story short, I have something to upload! zath_starbuild-tape.mp3 17-Jul-2009 23:13 2.2M It&#8217;s the &#8220;tape-part&#8221; for the second movement of &#8230; <a href="http://www.zath.org/2009/07/17/starbuild-tape/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>At the end of last term I was hard pressed to finish writing a 4-movment sonata for cello and laptop.  Long story short, I have something to upload!</p>
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<td><a href="http://www.zath.org/Releases/zath_starbuild-tape.mp3">zath_starbuild-tape.mp3</a></td>
<td align="right">17-Jul-2009 23:13</td>
<td align="right">2.2M</td>
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<p>It&#8217;s the &#8220;tape-part&#8221; for the second movement of the sonata.  The sonata as a whole was called &#8220;Take It Back&#8221; and investigated the idea of being able to reverse your decisions.  Kinda like Braid, I guess, but far less developed an idea.  This movement is the &#8220;Oh, Hey, I Can Reverse Time&#8221; moment of the piece.  Or something.</p>
<p>It was created using sampled sounds from my viola, mostly me tapping on it or swishing my bow in the air.  There were also tones from the viola or a piano, manipulated by a neato program called HyperUpic.  There was some additional jiggery-pokery in a program called SoundHack.</p>
<p>It&#8217;s&#8230; ambient?  And it&#8217;s about two-and-a-half minutes long.  Really it&#8217;s a wash of sound that belongs behind a cello.  Someday I&#8217;ll get a good recording of the rest of the piece and put the complete version online too.</p>
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		<title>Advance to current</title>
		<link>http://www.zath.org/2009/02/14/advance-to-current/</link>
		<comments>http://www.zath.org/2009/02/14/advance-to-current/#comments</comments>
		<pubDate>Sat, 14 Feb 2009 21:13:13 +0000</pubDate>
		<dc:creator>zath</dc:creator>
				<category><![CDATA[Music by zath]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[sampled]]></category>
		<category><![CDATA[school]]></category>
		<category><![CDATA[soundhack]]></category>

		<guid isPermaLink="false">http://www.zath.org/?p=18</guid>
		<description><![CDATA[Those of you who are subscribed to this blog (what, there&#8217;s 3 of you?  How many of those are actually me?) have pined away at a grayed-out blog title on your RSS reader for far too long.  It&#8217;s making me &#8230; <a href="http://www.zath.org/2009/02/14/advance-to-current/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Those of you who are subscribed to this blog (what, there&#8217;s 3 of you?  How many of those are actually me?) have pined away at a grayed-out blog title on your RSS reader for far too long.  It&#8217;s making me uncomfortable.  So!  I&#8217;m going to pick up with more zath tunes and maybe, eventually, advance to current (i.e. put up snippets of things I&#8217;m working on now).</p>
<h2><span style="font-weight: bold">Summertime Class</span></h2>
<p><span style="font-weight: bold"> </span>I took a Computer Music composition class last summer where we learned about MAX/MSP and digital multitrack stuff.  Here&#8217;s what I wrote for two assignments.<a title="Lies" href="http://www.zath.org/class/mjsteele_hw5.mp3" target="_blank"></a></p>
<p><a title="Lies" href="http://www.zath.org/class/mjsteele_hw5.mp3" target="_blank">Lies</a></p>
<p>The assignment was to take a couple of recorded samples and fiddle with them in MAX/MSP.  I used a vocal sample with a famous (?) quotation and a bell-like percussion sound.  All the fiddling was done with commands and envelopes, so it was the playback that was affected and not the actual sample.  What&#8217;s that called, non-destructive? <a title="Wetworks" href="http://www.zath.org/class/CMCfinal.mp3" target="_blank"></a></p>
<p><a title="Wetworks" href="http://www.zath.org/class/CMCfinal.mp3" target="_blank">Wetworks</a></p>
<p>Wetworks used a lot of modified samples jammed together.  I kind of fell in love with the AT&amp;T text-to-speech generator and made use of it for the background sound of hard-to-discern voices.  Vocoded.  There&#8217;s also underwater sounds made from pouring water into a cup and then slowing it down to 1/16th its normal speed.  And my long-suffering Roland XP-80 that I lusted after for nearly a decade and then proceeded to ignore&#8230; provides a sample!</p>
<p>The teacher said &#8220;it sounds really wet, did you make this wearing headphones?&#8221;  (lots of post-processing) Well, in my opinion, wet&#8230; <em>works</em> (see what I did there?) so long as you&#8217;re wearing headphones when you play it back.</p>
<h2><strong>What else is new?</strong></h2>
<p>There are some other projects in the works.  I was selected as one of four composition students to write a piece for the New Music Ensemble.  I was also working on a piece last term for oboe with Nintendo accompaniment.  They still need work before they&#8217;re ready to present, so I&#8217;ll get to it and upload more things to listen to ASAP.  Enjoy these two oddities for now.</p>
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